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Church Sound in Africa

Is my Shure SM58 fake? How to check a microphone before you pay

Stephen Amanor Sackey · October 2026 · 6 min read
Two Shure SM58 microphones side by side on a scale, one genuine and one fake

The Shure SM58 is probably the most copied microphone in the world. It is the vocal mic every church wants, it is simple to build a lookalike, and a fake can be sold for a fraction of the real price while still looking right in the box.

The trouble is that a fake does not just sound worse. It feeds back sooner, it handles badly, and it breaks. Shure will not repair it or honour a warranty on it, because counterfeit products from unknown sources cannot be covered or serviced (Shure).

Here is the check I would do before money changes hands, in the market, at a dealer's counter or when a "brother" offers the church a box of mics.

The quick answer

If the price is far below what the authorised dealer charges, it is almost certainly fake. Nobody sells genuine SM58s at a big loss. Everything else on this list is confirmation.

1. Weigh it

This is the most reliable check you can do without opening anything.

A genuine SM58 weighs 298 g, and a genuine SM57 weighs 284 g, according to Shure's specifications. Fakes are usually lighter, because the cheapest way to build a copy is with lighter parts and a cheaper magnet (Behind the Mixer).

A small kitchen scale or a digital pocket scale settles it in a few seconds. Take one to the market. Weigh it without the clip and the bag.

2. Check where it is sold, and by whom

Shure lists its authorised distributors on its own country pages. When I checked in October 2026 they were:

Distribution changes: in July 2026 Shure announced Hub Media as a distributor for African markets (press release). So check Shure's own page for your country on the day you buy, and ask the shop whether it buys from that distributor. A genuine reseller will tell you.

Big open markets can be fine for cables and stands, but they are also where counterfeits are sold. Nigeria's consumer protection regulator once called one large Lagos electronics market a "harbour" for counterfeit electronics (News Ghana). Buy microphones from someone who will still be there next month.

3. Look at it closely

Copies have improved, so no single visual sign proves anything. But several together are telling. These are the signs engineers report most often (AudioTechnology, Sine Post):

4. Listen to it

If you can plug it in, do. Bring a genuine SM58 if anyone you know has one, and compare them on the same channel with the same settings.

5. Wireless microphones: the fakes are bolder

Fake wireless systems are a bigger problem, because they cost more and the fault only shows on a busy Sunday.

A Kenyan pro-audio retailer lists the most common signs it sees (Pro Audio Kenya). These are the retailer's observations, not Shure's:

Check the exact model name on Shure's own website before you buy. If you cannot find it there, it is not a Shure.

The same goes for other brands. Sennheiser says counterfeiters copy its packaging closely, and that it cannot confirm whether a product is genuine from photos or a serial number; the product has to be inspected. Its warning signs include missing or mismatched accessories and a power plug that does not fit your country's sockets (Sennheiser, Sennheiser help).

6. Wireless frequencies: genuine can still be wrong

Even a genuine wireless mic can be the wrong one for your country. The frequencies wireless microphones may use are different from country to country, and Shure advises checking with your local Shure representative rather than relying on its US band chart (Shure).

This matters because bands are being reassigned to mobile networks. Nigeria opened parts of the 600 MHz band, including 617 to 627 MHz, for mobile licensing in 2023 (Business Metrics). In Kenya, 470 to 694 MHz is assigned to digital television (Kenya Law). A second-hand system on a band that phone networks now use can suffer dropouts that no amount of fiddling fixes. Ask the dealer which band the system is on, and whether it is right for your country.

If you already own one you suspect

Do not panic, and do not throw it away. Weigh it, compare it, and if it is fake, use it for the jobs where it matters least: an announcement mic, a spare, a talkback mic for the music director. Put the genuine microphones on the lead vocal and the pulpit, where feedback and clarity matter most.

Then mark it, so nobody puts it back on the pulpit by mistake.

A buying checklist

Print this and keep it in the sound cupboard:

  1. Is the seller authorised, or do they buy from the authorised distributor?
  2. Is the price close to the authorised dealer's price?
  3. Does it weigh 298 g (SM58) or 284 g (SM57) without the clip?
  4. Is the logo printed on the grille ring, and is the grille firm and even?
  5. Does it sound full, reject sound from behind, and handle quietly?
  6. For wireless: does the exact model name exist on Shure's site, and is the band right for this country?
  7. Do you get a receipt with the shop's name and address?

Questions people ask

How can I tell if my Shure SM58 is fake?
Weigh it first: a genuine SM58 weighs 298 g. Then check the seller, the price, the grille and logo, and how it sounds and handles compared with a known genuine one.

How much does a real SM58 weigh?
Shure's specification gives 298 g for the SM58 and 284 g for the SM57.

Where can I buy a genuine Shure microphone in Ghana or Nigeria?
From Shure's authorised distributors, listed on Shure's own website for each country, or from shops that buy from them. Check the page on the day you buy, because distributors change.

Is the Shure SH-500 real?
According to a Kenyan pro-audio retailer, the SH-500 and SM-820A are not Shure models. If a model name is not on Shure's own website, it is not a genuine Shure.

Will Shure repair a fake microphone?
No. Shure says counterfeit products cannot be covered by warranty or serviced.

Are fake microphones dangerous?
Usually not dangerous, but they feed back sooner, sound worse and break. Fake wireless systems can also be on frequencies that are not permitted in your country.

More on running sound in African churches: church sound in Africa.

Written by Stephen Amanor Sackey — producer, mix engineer and music director, Virginia. More about the studio.

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