Mixing &
Mastering
Close harmony, lead vocals, and live captures that only happened once.
Before / after
Hear the difference, not the description
Same passage, same moment. The toggle holds your position, so you compare like with like.
The work
What actually happens to your song
Listen and ask
You send a reference. I tell you honestly what is fixable in the mix and what needs a re-take.
Edit
Where most of the result lives. Comping, timing, tuning, sibilance and plosive repair, breath shaping, noise floor matched across takes.
Mix
Built around the voice. On close harmony, timbre matching and phase alignment happen before a single fader moves.
Revise
Two rounds included. Send timestamps, not adjectives, and we will get there faster.
Master
Streaming, broadcast, and reference masters delivered separately. Stereo or Dolby Atmos.
Send me
How to prepare your files
WAV, 24-bit
Session sample rate. No MP3s, no conversion on the way out.
From zero
Everything exported from the same start point.
Dry, mostly
Strip the mix bus. Keep effects that are part of the writing and tell me which.
No clipping
Peaks under −6 dBFS. If it clipped on the way in, send it anyway.
Plain words
"Lead Vox", "Alto Dbl 2", "Kick In". Not "Audio 14".
A reference
One track to sit beside, and what the song is about. Both change decisions.
Songs
Hear the work
Records I mixed and mastered.
Also on the desk
Live & broadcast
Not every mix starts as a studio file. A good share of mine arrives off a stage.
I run live capture, front of house, and broadcast post on a weekly clock — multitrack off the desk on Sunday, mixed and mastered for release during the week. I own the broadcast chain end to end at a multicultural congregation in Virginia, and the live albums in my catalogue were cut the same way: one take, a full room, no second chance.
The work overlaps more than people expect. Close harmony recorded live has the same problems as close harmony in a booth — timbre matching, phase on doubled passes, a noise floor that has to hold across a whole service — only you cannot re-track it. If you have a service, concert, or live session that needs mixing for release, it comes to this same desk.
- Multitrack live capture
- Front of house
- Stream and broadcast mix
- Broadcast post, weekly turnaround
- Live albums, mixed for release
Credits
Recent and earlier
Unveiled
Mix & Master — Album
Also "Pentecost" (ft. Siisi Baidoo), "We Will Not Bow," and the live albums Deeper Worship Vol. 1 & 2 and Maranatha.
Home
Mix & Master
Full catalogue
Production & Mix
Close three-part harmony. Broadcast on TV3 Ghana; brand work with Nestlé Ghana.
Gallery
At the desk
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