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Why I built AFD Gate: a drum gate where one band decides and another gets turned down

Stephen Amanor Sackey · October 2026 · 4 min read
AFD Gate on the snare preset

Most gates make their decision using the whole signal, and then turn down the whole signal. On a close-miked drum kit that is the wrong tool. The snare mic hears the hi-hats. The tom mics hear everything. A gate that ducks the whole channel takes the room with it, and you end up with a kit that sounds assembled rather than played. AFD Gate, the Amanorsac Frequency Dependent Gate, splits that one decision into two.

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What it does

One band decides when the gate opens. A different band decides what gets turned down. So a snare hit can open a gate that only cuts the cymbal wash above it, and the body of the snare never moves. The trigger band in blue is the only part of the signal the detector hears. The gated band in amber is the part that is actually reduced. Drag an edge to move one end, drag the middle to slide the whole band, double-click to reset.

AFD Gate on the snare preset: the detector trace against the threshold in the top display, the blue trigger band and the amber gated band below, a row of blue knobs along the bottom.
The snare preset. Blue is what the detector hears, amber is what gets turned down.

The band split is a 257-tap linear-phase complementary pair. When the gate is open at unity, the two bands add back up to exactly the signal you put in, so leaving the plug-in in the chain costs you nothing while it is not gating. The display draws the filtered detector signal against the threshold, with the hysteresis line and the gain reduction filled in behind, so if the gate misses a ghost note you can see why before touching a control.

A frequency axis from 20 Hz to 20 kHz with a blue trigger band from 150 to 900 Hz and an amber gated band from 4 to 20 kHz, and a note that the linear-phase split adds back to exactly the input at unity.
Card 1 of 2 · One band decides, another gets turned down

Attack and release are smoothed in decibels so a release falls evenly. Hold bridges the gaps, hysteresis stops chatter, and retrigger lockout stops wash from flapping the gate. Lookahead delays the detector less than the audio, so the gate is open when the transient lands, and the latency reported to your DAW does not change when you change it. An external sidechain can take the decision from another track.

AFD Gate in frequency mode with the gated band moved up to the cymbal range and the frequency-dependent switch on.
Frequency mode: the snare opens the gate and only the band above it is reduced.

On the kit

Seven factory presets, one for each job. Kick: the trigger band sits where the beater is and everything above is ignored. Snare: the natural body of the drum, with hysteresis holding the gate open through the ring. Cymbal spill: in frequency mode the snare opens the gate and only the band above it is turned down.

What else is out there

Your DAW's own gate is free and decides on the whole signal. FabFilter Pro-G is a superb full-featured gate and expander at around $169 at the time of writing, with sidechain filtering on the detector, which is half of what AFD Gate does; what it does not do is reduce only a chosen band while leaving the rest alone, which is the other half. AFD Gate is one job, done properly, for $12.

A comparison of your DAW gate, FabFilter Pro-G and AFD Gate across deciding from a filtered band, reducing only a chosen band, a linear-phase split, lookahead, hold, external sidechain and no key to type, with the prices free, about 169 dollars and 12 dollars.
Card 2 of 2 · A gate that only takes the part you point at

No activation, ever

Once AFD Gate is yours it simply runs. There is no key to type, no server to reach and nothing phoning home. Install it on every computer you own. It passes pluginval at strictness level 10 with no warnings, and it is tested at 44.1, 48, 96 and 192 kHz.

Who it is for

Anyone mixing close-miked drums: live recordings, church multitracks, rock and gospel sessions. Live engineers who want spill out of the snare channel without a thin snare.

Price

$12, once. VST3 and standalone for Windows x64 and macOS. The Windows build is not code signed yet, so SmartScreen warns the first time; choose More info, then Run anyway. It is also part of the Studio Bundle.

See AFD Gate

Written by Stephen Amanor Sackey — producer, mix engineer and music director, Virginia. More about the studio.