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$14StandaloneWindowsmacOSShared MIDI

What your hands
just played.

In the language you think in.

Chordlight 88 is an 88-key display for keyboard players. Play, and the keys light — brighter the harder you hit them — the chord is named as you play it, and the same chord is read as a number in whatever key you set. One switch puts all of it into sol-fa. And it never takes your MIDI port, so your DAW and your sampler keep the same controller.

Why it shares the port

$14 once · version 1.0.0 · no account, no activation, no network

Chordlight 88 in notes mode: six notes lit across the 88-key display, named Fmaj9, numbered 4maj9 in the key of C, with IVmaj9 and Fa underneath

Six notes down · Fmaj9 · 4maj9 in the key of C · lit by velocity

The problem

Every other chord display takes your keyboard away from you.

13apps on one controller at once

Open a chord tool on Windows and it claims the MIDI port for itself. Kontakt goes quiet, or the DAW stops receiving, or the app reports the device as busy — so the thing that was meant to help you play stops you playing.

Chordlight opens no port exclusively. It listens alongside whatever else is holding the controller: your DAW, your sampler and Chordlight all hear the same keyboard at the same time. Virtual cables — loopMIDI, LoopBe, IAC — appear like any hardware port, and a keyboard plugged in mid-session shows up without a restart.

That is the whole reason it exists. Everything else on this page is what it does once it is out of your way.

Numbers and sol-fa

Not everyone thinks in letters.

Chord displays name chords in letters. A large part of the keyboard-playing world — worship, gospel, choral, most of the teaching world — works in numbers and in sol-fa. Chordlight reads all three at once, from the same hands.

Chordlight 88 in sol-fa mode: the key labels read Do, Mi, So and Ti, and the big readout reads Do maj7 for a Cmaj7 in the key of C

One switch · Cmaj7 in C reads Do maj7 · a triad on 4 reads Fa major

Set the key once

Every chord after that reads as a number in that key. Fmaj9 in C is 4maj9, with the Roman numeral under it.

The full ladder

Do Di Re Mo Mi Fa Fi So Si La Ta Ti. Chromatic syllables included, not just the seven.

Letters too

Root, quality, slash bass and the notes sounding — with the bass note marked on the keybed.

Built for a camera

Three windows that stay where you put them.

The chord, the number and the keys each detach into their own always-on-top window, and each docks back on its own. On macOS they float over full-screen apps. Nothing is left duplicated in the main window.

0pixels of movement when the chord changes

The readout geometry is fixed, so a two-character name and a nine-character name occupy the same space. A recording does not jump when the chord does. That was designed in, not patched on afterwards.

The chord, number and keys windows detached and floating over another application

Each readout is its own window. Put them where the frame needs them.

Appearance

Six accents, light and dark.

The whole interface retints from the accent — panels, borders, text, and the velocity glow on the keys. Key height is yours to set, from a strip along the bottom of a stream to a keybed that fills a projector.

Chordlight 88 in light mode with an amber accent

Light mode, amber accent. The same interface, retinted.

Who it is for

Four rooms it was built in.

Worship and gospel keyboardists

The number readout and the sol-fa. You think in 1–4–5 and Do–Re–Mi, and every other chord display speaks only letters.

Teachers and music directors

A projector-sized readout of what the player at the keyboard is actually doing, in the notation the room uses.

Producers and session players

Name a voicing you found by ear, mid-take, without stopping the DAW or reaching for a plug-in.

Streamers and teachers on camera

Three detachable always-on-top windows that sit over a screen recording and do not move when the chord changes.

$14Once, and that is all

No account. No activation. No network.

Fourteen dollars, and once it is yours it simply runs: offline, with no key to type, no server to reach and nothing phoning home. It reads your MIDI input and nothing else on your machine. You buy it here because that is where the download lives, not because the app will ever ask who you are.

See the specification

Specification.

PlatformsWindows 10 and later (x64) · macOS 11 and later (Apple silicon and Intel, universal)
FormatStandalone application. Windows: installer and portable build. macOS: disk image.
Range88 keys, A0 – C8
MIDINon-exclusive input, every port including virtual cables, per-channel or omni, hot-plug, sustain-aware
ReadoutsChord name · Nashville number · Roman numeral · sol-fa
WindowsMain window plus three detachable always-on-top pop-outs
AppearanceSix accents, light and dark, adjustable key height
NetworkNone. No account, no activation, no telemetry.
PreferencesDocuments\Amanorsac Studio\Chordlight 88\preferences.json
UpdatesAmanorsac Hub

What it is not.

Being straight about this is what keeps the reviews honest.

Is it a transcription or notation tool?
No. It names what is sounding now. It writes nothing down and exports nothing.
Does it listen to audio?
No. MIDI in, and nothing else. It cannot hear a recording, a microphone or a track.
Is there a plug-in version?
No. It is a standalone window, not a VST3 or an AU. A plug-in would be a different product, and this page is not promising one.
Will it really share any keyboard?
Almost any. There is one exception: a controller whose manufacturer ships an exclusive-access driver cannot be shared by anything at all. Route it through loopMIDI in that case and everything downstream works normally.
Do my settings sync between machines?
No, because there is no cloud to sync them through. Preferences live in a file on the machine, at the path in the specification above.
What does activation involve?
Nothing. Buying puts the download in your My Apps, and after that the app has nothing to check and no way to check it. Install it on every machine you own.